德拉克的回归

☛电影天堂诚邀您开启电影之旅！本站收录《德拉克的回归》未删减全辑，即刻畅享零门槛高清观影体验。 这部神作自1968年其它首映以来，本系列由大师爱德华·格莱纳等实力导演共同打造。更汇聚演员界传奇阵容拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela Buckova,Jozef Cierny,Pavel Chrobak,米库拉斯·洛迪津斯凯,Ivan Macho,Ján Mildner,Andrej Mojzis,Jan Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan Mach等顶级明星联袂演出，铸就影视史不朽丰碑。下面是剧情简介：　　与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).★ 全网独家支持跨端畅看：PC网页端高清呈现，手机移动端极速加载，云端同步播放进度，更有超清百度网盘资源便捷获取。若您拥有更优质片源，欢迎联系电影共建资源库。深度影迷可前往豆瓣探索剧集文化脉络，登录百度百科解锁角色全档案，全方位沉浸式体验这部佳作★